Where Rivers Meet, my book of haiku poems and drawings, is now available on Amazon.
This book is special to me. About 15 years of published haiku and haibun and in addition, around 30 of my illustrations – pencil drawings and watercolours.
Its not the usual haiku book. I put it together differently. Many of the haiku have notes describing how I wrote them and I wrote about what is haiku, haibun and renku too. The haibun came mostly from my travels. Every trip has moments deep or humorous, such as the map confusion in Japan, the traffic light espressos of Rome and night on a volcano in Hawaii. Of course, the covid lockdown comes in too. A lot of the book was written during those difficult days.
Some asked me, what kind of book is this? Its not the familiar slim volume of verse – it has notes on how the haiku were written. Its not a sketchbook either. What is it? Well, I don’t know if there is a name for it. I started to put together a simple collection of my published haiku and haibun but writers love to write and there I was adding notes and drawings and the book turned into something else. My publisher was good enough not to ask me, what is this mess? He suggested a better order and somehow it came together. I don’t know how to describe it so I will let my friend and mentor, Susumu Takiguchi do it for me.
The full text is here –
“There unfolds before our eyes a quiet but powerful drama of an Indian poet’s chance encounter with haiku and a totally different kind of journey it has ushered her into for the last 15 years. Tired of conventional poetry writing or meaningless vacations, Rohini Gupta ventures out on new trips without a map, planning or even destinations but led only by this newly-discovered form of poetry which is also a new way of looking at things. They take her to various unknown and unknowable roads and places, ranging from somewhere deep in the Himalayan mountains and valleys, through ruins of an ancient temple in Kumbhalgarh, to Japan, Ireland, USA and countries in Europe, and even to non-physical journeys in her expanded sensibility and in cyberspace.
She also ‘travels’ through our daily lives from feeding stray cats to the lockdowns of COVID-19. It is by no means an ordinary haiku anthology, nor is it a textbook, and not even a travelogue. What it is is an intriguing and personal notebook, recording what haiku has done to her sensibility as a poet, to her life as a city dweller and to her whole universe where haiku has given her a new eye to see thing differently. Driven by the incredible power of haiku, she voraciously delves into other areas of haiku literature as well such as renku and haibun.
Hers is an exciting story about getting a grip on and gaining mastery of all these areas. It is told in her concise language as a wordsmith and flows swiftly in short-sentence prose with pleasant rhythm, which is by itself a pleasure to read. At its heart lies her unblinking eyes to see truth, deep appreciation of beauty and a warm sense of humour. Her haiku wells up from somewhere deep. It is born, not contrived. The book provides self-satisfied haiku poets, especially seasoned ones, with refreshing stimulus, new insights and style, and those still to come with one of the right ways of starting haiku.”
Susumu Takiguchi, Editor in Chief, World Haiku Review.
The drawings are mostly graphite pencil sketches and one or two watercolours. They come from my pile of sketchbooks and from a span of years as I was struggling to draw correctly the twist of a fallen leaf, the curve of a petal, a woman in a coffeeshop or the intricacy of a bougainvilla. Here are a few of the pages.